Harom Hara – 2024

After a long time, a Sudheer Babu film is generating positive buzz. Directed by Gnanasagar Dwaraka of “Sehari” fame, “Harom Hara” hit the screens today. Let’s see how it fares.

Starring: Sudheer Babu, Malvika Sharma, Sunil, Jayaprakash, Akshara Gowda, Arjun Gowda, Ravi Kale
Director: Gnanasagar Dwaraka
Producer: Sumanth G Naidu
Music Director: Chaitan Bharadwaj
Cinematographer: Arvind Viswanathan
Editor: Raviteja Girijala

Harom Hara Story:

In Kuppam, Thammi Reddy (Lakki Lakshman), Basava Reddy (Ravi Kale), and Sharath (Arjun Gowda) wreak havoc by illegally occupying lands and terrorizing the locals. Subramanyam (Sudheer Babu) arrives in Kuppam looking for a fresh start and becomes a lab assistant at a college where his love interest, Devi (Malvika Sharma), works. Circumstances force Subramanyam to resign, and he turns to the lucrative gun manufacturing business, partnering with suspended cop Palani Swamy (Sunil). The film follows Subramanyam’s rise to power in Kuppam.

Plus Points:

Sudheer Babu shines in “Harom Hara,” delivering a powerful performance that will thrill mass audiences. His ease and commanding presence make him a natural fit for action roles. The first half is engaging with well-placed elevations and mass moments. The film avoids unnecessary songs, with the few included seamlessly integrating into the story.

Sunil’s significant role adds strong support, and the cast’s efforts to capture the Kuppam slang enhance the film’s authenticity. Chaitan Bharadwaj’s music is a standout, boosting the film’s impact. Akshara Gowda and Jayaprakash Narayana deliver commendable performances.

Minus Points:

Despite some strong moments in the second half, predictability undermines the film. “Harom Hara” lacks originality, with the protagonist’s journey from rags to riches being a familiar trope in Telugu cinema. The film borrows heavily from hits like “KGF” and “Pushpa,” and the hero-worship factor dilutes the drama. The three main villains fail to leave a lasting impression due to underdeveloped characters, and Malvika Sharma’s role is limited.

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The film contains several scenes that feel derivative, such as the hero lighting a cigar in a stylish manner, reminiscent of other movies. The machine gun scene from “KGF” is recreated, contributing to a sense of fatigue. The film’s problem lies in its lack of new ideas despite having a routine storyline.

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Technical Aspects:

Chaitan Bharadwaj’s pulsating background score is a highlight, often overshadowing the film’s flaws. Arvind Vishwanathan’s visuals are impressive, and the production design is top-notch. Director Gnanasagar Dwaraka’s attention to detail, especially regarding the Kuppam region and the gun business, adds depth. However, the writing is inconsistent, with the narrative lacking fresh elements. The action sequences are well-executed and will appeal to the mass audience.

Verdict:

Overall, “Harom Hara” presents a routine story but features well-executed mass scenes. Sudheer Babu’s performance is a highlight, fully utilizing his potential in a mass avatar. While the first half is decent, the second half becomes predictable, with the director drawing heavily from other films. The drama weakens towards the end. Action film enthusiasts may enjoy it, but others might want to explore alternative options.

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